I love the raw, grimy sound you got going on here.
It's a little repetitive, but I don't necessarily view that as a bad thing. It has a kind of hypnotic quality that can help build up momentum throughout the song with the right vocals.
Only complaints I can really think of (in terms of mixing) is:
- The kick-drum sounds like it was panned slightly-right of center, which kind of takes away some of the oomph.
- Some of the drums have huge discrepancies in reverberation (one snare sounds like someone repeatedly hitting the wall with a lead pipe a few rooms over, while the other one doesn't sound like it has any reverb at all, which kind of isolates it from the acoustic atmosphere created by most of the rest of the drums in the mix.
- Some of the higher frequencies on the hi-hat and cymbal seem a tad harsh and overly-present compared to the rest of the mix (mostly just the cymbal really.) Adding a little reverb or tweaking the eq would help smooth it out a little, but honestly, it's really a matter of preference, and might not be necessary depending on the how it sounds once vocals have been added.
Overall, the mix makes it sound like:
- you are sitting in the drummer's seat with your head tilted/offset slightly to the left, ( in relation to the drum set) with the snare drum, hi-hat, cymbal, and kick drum positioned in front of you in a semi-circular shape.
-- the guitarist and bassist are isolated in a different room, but they are plugged in to amplifiers that were placed in the same room as you and the drum-set
--- the amplifiers are positioned with their backs up against the wall (because you only hear direct sound, and not really any reverb/early reflections) roughly 6-10 feet away from you
---- the bass amp is positioned directly in front of you and the drum-set, with the guitar amp sitting about 1-2 ft directly left of it,
----- the guitar is dead center in the mix, while the drums and bass are slightly offset to the right, which makes it seem your head is tilted left of the drum-set & bass amp (because you are staring directly at the guitar amp)
------ there is an open door behind you leading to a larger room with cinder-block walls and a hard floor, and some dude from maintenance repeatedly smashing a lead-pipe into the wall at steady pace. He actually sounded pretty good though, so ya'll just decided to let him have at it and keep going as you continued to record your fire-y jams.
Seems like it could use some dynamic range compression too, but I'm guessing you're saving that for the mastering stage or once the vocals have been added.
I think with some slight tweaking to the mix and some nice, dynamic vocals, this has the potential to be a really epic song or cypher.